Born in Chambéry in 1976, Renaud Capuçon studied at the CNSMDP with Gérard Poulet and Veda Reynolds. In 1998, Claudio Abbado chose him as concertmaster of the Gustav Mahler Jugendorchester and he completed his musical education with Pierre Boulez, Seiji Ozawa, Daniel Barenboim and Franz Welsze-Möst. As a soloist, Renaud Capuçon plays with the greatest conductors and the most prestigious orchestras in the most famous festival : Festival international de La Roque d’Anthéron, Hollywood Bowl, Sommets Musicaux de Gstaad, Lucerne, Verbier, Salzburg, Rheingau or the Bucharest Enescu Festival.

One of the most renowned soloists, the violinist Renaud Capuçon collaborates with internationally renowned orchestras such as the Berliner Philharmoniker, the Boston Symphony, the Wiener Philharmoniker and the Orchestre Philharmonique de Radio France.

He practices chamber music with passionate partners : Martha Argerich, Nicholas Angelich, Kit Armstrong, Khatia Buniatishvili, Frank Braley, Yefim Bronfan, Khatia and Marielle Labèque, Maria Joao Pires, jean-Yves Thibaudet, Yuri Bashmet, Myung-Whun Chung, Yo Yo Ma, Mischa Maisky, Michael Pletnev. Renaud Capuçon has been conducting the best chamber ensembles on the violin for around fifteen years.

He is artistic director of : Sommets Musicaux de Gstaad, Festival de Pâques d’Aix en Provence, Rencontres musicales d’Evian. Since 2021, he has directed the Orchestre de chambre de Lausanne. In 2022, he will put his reputation at the service of a new generation of musicians by launching Beau Soir Productions.

In terms of discography, Renaud Capuçon has already recorded nearly thirty records, notably Bartok’s violin Concertos with the London Symphony Orchestra and François-Xavier Roth, an album entitled « Cinema » released in October 2018. From September 2022, he begins a new collaboration with Deutsche Grammophon and Universal Music, starting with a complete set around Mozart. In February 2023, he published his second album of film music entitled "Cinema II - Les Choses de la Vie ».

His violin is the Guarneri del Gesù « Panette » (1737) which belonged to Isaac Stern. He was promoted to « Chevalier dans l’Ordre National du Mérite » in June 2011, « Chevalier de la Légion d’honneur » in March 2016 and « Officier dans l’Ordre des Arts et Lettres » in December 2021. He is also « Artiste pour la Paix » at UNESCO since September 2020 and promoted to « Officier dans l’Ordre National du Mérite » in December 2023.

Lorraine Campet has studied double bass and violin since she was very young at the CNSMDP. She obtained her Master’s degree in double bass in 2016 in the class of Thierry Barbé and Jean-Edmond Bacquet, then continued a year of improvement with Petru Luga at the University of Mannheim in Germany. At the same time, she continued her violin studies in the class of Jean-Marc Phillips-Varjabédian and obtained her violin license in 2019.

Lorraine Campet performs alongside artists such as Barbara Hannigan, Leonidas Kavakos, the Trio Wanderer, Renaud Capuçon, the Quatuor Modigliani, François Salque, Lise Berthaud, Christophe Morin, Roland Pidoux and Sarah Nemtanu, in various festivals such as the Festival de Pâques d’Aix-en-Provence, the Festival de Pâques de Deauville, the Rencontres musicales d’Evian, La Folle Journée de Nantes, the Seiji Osawa Academy.

She is regularly invited to play with the Music Aeterna orchestra conducted by Teodor Currentzis, as well as with the London Symphony Orchestra and the Sinfonia Grange au Lac in Evian.

Lorraine Campet won various double bass competitions including 1st Prize in the Leopold Bellan International Competition and 1st Prize in the « Bass 2014 » international competition in Amsterdam. In 2017, Lorraine Campet won 1st Prize in the FMAJI International Competition then 2nd prize in the Giovanni Bottesini International Competition.

From 2015 to 2022, she held the position of co-soloist with the Orchestre Philharmonique de Radio France.

Lorraine Campet plays a double bass by Richard Gonon and a bow by Emilio Slaviero.

As a violonist, Lorraine Campet is a member of the Confluence Quartet, in a residence at the Singer Polignac Foundation, winner of 1st Prize at the Trondheim International String Quartet Competition.

After studying at the CNSMDP and in the "Konzertexamen" cycle of excellence at the Essen University of the Arts, David Petrlik was selected by Gidon Kremer to participate in the "Chamber music connects the world" program and played with Steven Isserlis , Christian Tetzlaff and Gidon Kremer.
David Petrilk wins 1st Prize at the Kocian and Flame International Competitions and is a laureate of the Heifetz, Ginette Neveu and Felix Mendelssohn Competition in Berlin.

David Petrlik performs with the Prague Radio Symphony Orchestra, the Kremerata Baltica, the Bonn Philharmonic Orchester, the Staatorchester Rheinische Philharmonie, the Mannheim Chamber Orchestra and plays in prestigious concert halls such as the Philharmonie de Paris, the Louvre Auditorium, La Seine Musicale, "Victoria Hall" in Geneva, "Smetana Hall" in Prague, "Beethoven" Hall in Bonn.

He plays chamber music with musicians such as Nicholas Angelich, Gidon Kremer, Steven Isserlis, Christian Tetzlaff, Jean-Frédéric Neuburger, Claire Désert, Eric Le Sage, Boris Garlitsky, Emmanuel Strosser, François Salque, Jonas Vitaud, Guillaume Bellom, Vassily Sinaisky, …

Passionate about chamber music, David Petrlik is artist in residence at the Fondation Singer-Polignac within the Ensemble Messiaen. At the same time, he is in residence at the Villa Musica Rheinland-Pfalz Foundation. Motivated by the desire to transmit a rich musical heritage, David Petrlik's repertoire is vast, ranging from baroque music to contemporary music today.

David Petrilk is a laureate of the Safran Foundation, the Adami and the Huguet-Bourgeois scholarship from the Fondation de France. It has recently been named « Génération Spedidam ».
He currently plays on a Petrus Guarnerius violin from 1702 "ex Schubert" on loan from the Foundation "Villa Musica Rheinland-Pfalz".

From an early age, Anastasie Jeanne played both the organ and the harpsichord. She likes to evolve in an eclectic repertoire. After starting the organ with François Clément at the CRR of Clermont-Ferrand, she continued her career in Moscow, her hometown, in the class of Alexei Chmitov, where she obtained a diploma and was named winner of the Concours International of Young Organists of Moscow.
Back in France, Anastasie Jeanne joined Elisabeth Joyé's harpsichord class and obtained her DEM at the CRR in Paris. In 2018 she obtained her license in harpsichord and basso continuo at the CNSMDP, where she continues to this day her studies in a master class with Olivier Baumont, Blandine Rannou and Kenneth Weiss. She also continued her organ studies with Paul Goussot at the CRR de Rueil-Malmaison where she obtained her Advanced Diploma in 2020.

Always sensitive to the great diversity of instrumental craftsmanship and historical musical sources, she tends to recreate a universe faithful to the repertoires she approaches. Thus, she was able to perform as a soloist and continuo player in the context of various projects such as the "Bach en Combrailles" festival, the "La Belle de Mai" organ festival in Fresnes, "Les Jeudis Musicaux" in La Chapelle Royale de Versailles, in the production of the Opera Dienstag aus Licht by Karlheinz Stockhausen with the ensemble Le Balcon at the Philharmonie de Paris, or with the ensemble Les Ambassadeurs.

She has also been invited to several artistic residencies, notably at the Petrikirche in Saint-Petersburg for a solo recital in April 2019, at the Château de Chambord in March 2019 or at the Abbey of Royaumont in November 2021. During her career, she has had the opportunity to work with big names such as Skip Sempé, Alexis Kossenko, Thierry Maeder, Bertrand Cuiller, Maud Gratton, Hervé Niquet and Sébastien Daucé.